Send Money: Sponsor Disasterina for 2020 AIDS LifeCycle

Disasterina Screen Shot
Screen shot for Disasterina’s video. Click the real video link below to find out how YOU can sponsor her fundraising on behalf of HIV/AIDS patients!

This is a signal boosting post to laud Disasterina’s commitment to raise $10,000 for the AIDS LifeCycle, riding a bicycle in drag for “545 fucking miles,” from San Francisco to Los Angeles, (May 31st to June 6th). The money she raises will ultimately go to the SF AIDS Foundation and the Los Angeles LBGT Center, via AIDS LifeCycle, to provide free HIV testing, medical care, and services.

So send your dollars, why doncha, to this link here and support/sponsor Disasterina in this epic fund-raising ride on California’s highways to hell, all in a good cause!

But dear witchy readers, I’m going to ask for something more from you–if you can’t spare the cash (and even if you can and do!) won’t you consider also casting a nice, fat, juicy Money Spell to charm and boost Disasterina’s fundraising webpage to attract more cash? You want the spell to be directed at the webpage, by the way, not at or on the person doing the fundraising (consent issues here.)

You can do this. I know you can. Get yourself a green candle (don’t forget a match). Get yourself a jar. Throw in some basil and other prosperity herbs, lucky coins, a lodestone or other stones known to draw abundance, green edible glitter (not the ocean polluting kind), and/or any other magical element you like to use to bring in extra cash. Then write the words “AIDS LifeCycle 2020” and this URL: http://www.tofighthiv.org/goto/disasterina.

If you want to add a little picture of a bicycle, you can. Whatever! Then do your witchery! Get out there on the next full moon, make offerings, beseech support from your invisible friends, bury the jar, and visualize glorious abundance filling Disasterina’s fund-raising coffers via the above URL. Wouldn’t it be great to know your MagicQ is boosting this effort?

Speaking of “boosting,” signal boosting is also helpful. Use your social media superpowers to get the word out! Whip up support!

I know I’m going to be offering up a few extra donuts to Loki, on behalf of this good cause. And I’ll bring a request for cosmic support to our next group ritual, next time we gather.

But why is this cause important to me? And why am I so struck by this particular performer’s efforts on behalf of people vulnerable to HIV/Aids? Here’s why this cause is important to me:

Personal: I lived in San Francisco, in the Outer Mission and Castro, during those first years of the HIV/AIDS epidemic. I saw many people learn their HIV-positive status, and some who died during the time I knew them: clients, co-workers, friends. My most beloved uncle, David Rath, was one of the early casualties. He was diagnosed a couple of weeks after I married and my new husband and I moved into the apartment below his to be close to him during that time. I was with him a lot and helped care for him during his last year. He left his affairs in my hands. During that time I also worked for a public opinion research company that developed the first AIDS surveys for the SF Department of Public Health. Some of my co-workers went on to help found and volunteer for the Stop AIDS Project in 1985.

Today, my oldest kid is in an “at risk” group. He is informed, aware, and I trust him to take steps to decrease his risk. Even so, any time he tells me he’s “been sick a lot lately” some part of me goes into a silent scream. (I’ve never told him that–I try to keep my alarmist fears out of his life as much as possible. I don’t always succeed.)

Professional: As a sexologist and sexuality counselor, I am utterly committed to supporting LGBTQIA+ people and issues. I care about this issue and try to stay current on such things as PrEP, safer sex practices, and who provides services in my community.

Donor: I’ve also donated money to past participants in the AIDS LifeCycle rides and to other organizations that deal with HIV/AIDS and sexual health.

Why I’m Supporting Disasterina in 2020: Gosh, that sounds awfully political, doesn’t it? Damn, now I’m having a presidential campaign fantasy. She would be the best person help us feckless “A-merkins” to throw off our chains (the non-consenual kind!) and to dismantle this pathetic and ruthless oligarchy! I can see the Boulet Brothers in her Cabinet (if there was one big enough for their hair) and a few other “Drag Super-Monster” appointments… However, I digress.

First of all, I love it when performers and artists I enjoy and admire reveal themselves to be people of compassion and conviction in their private lives. So, there’s that. How I enjoyed Disasterina, “LA’s Most Disasterous Drag Queen,” in Dragula Season 2 (now on Netflix)! Yeah, I’m a fan, but not in that weird fangirl-y sort of way (I save that for my main deity, Norse Loki) but as a mature former burlesque artiste/punk wearable-artist turned sexologist witch who deeply appreciates punk/goth drag laced with rapid-fire wit and visual puns. (This description of Disasterina’s artistry is not really adequate, I know. I know…) But for me, given my own unsavory past and off-beat cultural references, Disasterina serves it–hot! And now, riding from SF to LA to raise money for HIV/AIDS testing and treatment? How can I resist this? Big respect!

I also can’t resist the prankster-esque nature of her video appeal! Oathed as I am to a trickster god, I can’t help but see Disasterina (and the artist/performer behind her) as one of Loki’s ilk, if not one of Loki’s own. (I feel the same way about Nina Hagen.) I mean–bright red hair, clown glamour make-up, gender fuckery, and puce-colored fake fur!–the visuals in this particular video are all there for those of us who spend precious hours of social media time discussing “who reminds us of (Norse) Loki” when we should be looking for work in our serf/gig economy. Of course I shared the video in Loki’s Wyrdlings FB group, hoping others in my spiritual community would also be moved to support (in spite of the fact that many of us are, as I said, under-employed or in danger of losing our social security or SSI benefits). But there’s a bunch of witches there, so… prosperity spell jars, anyone?

I could go on, I suppose, dissecting the nuances of performance, and my giddy delight in them, which serve to motivate my enthusiasm. I will just end with a heart-felt “well done” to Disasterina and others who are making that ride later this year, and look forward to the accounts of this epic journey, as they are vlogged, blogged, tweeted, or whatever!

To Disasterina, best wishes for enduring make-up, a really good bicycle seat, inflated tires, an excellent adventure, and a sweet homecoming to your dear ones at the end!

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Dragula, How Do I Love Thee?

They don’t know it, but the Boulet Brothers and three seasons of Dragula have joined my private and exclusive cluster of “writer’s muses” for my fantasy novel in progress, The Witching Work of the Guild of Ornamental Hermits. (Here’s the Season 1 premiere of Dragula, on YouTube. Season 2 and 3 are on Netflix.) The goal of Dragula is to create “the Next Drag SuperMonster.” Their guiding principles are “drag, filth, horror, glamour” (and “punk” in the first season).

BouletBrosDragula
Boulet Brothers Dragula owns the rights to this image. Used in blog commentary about the show.

My goal is to complete the first draft of my second novel in the Ornamental Hermits fantasy series. My guilding principles are “magic, punk, art, glamour.” (I’m not so down with “filth” as I’ve changed far too many diapers in my time, and currently empty seven cat boxes twice a day… so there’s that.)

Right now, I’m in  the middle of my annual participation in November’s  NaNoWriMo. Since November 2nd, I’ve written 30,000 words out of a 50,000 word target. This is a writer’s competition–a challenge to pit my tendency to over-edit in first drafts against raw inspiration and creativity.

Over-editing in first drafts is the result of fear. It’s an unwillingness to commit to the entire plot, to put characters in jeopardy, to give all or lose all in love and hate and war, to race toward the exciting climax of the book. Much like the contestents in Dragula, I deeply believe in my writing, just as the contestents deeply believe in their drag. They create personas, constellations of characters, facets of being, visions, a “world” in which their drag selves are at play–suffering yet triumphant, always rising from the ashes. Damage breeds creation. Yet so often those hidden fears can mute or dim our full commitment, our performance of our art. Dragula challenges its people in just about every way imaginable. The Boulet Brothers’ constant admonishment is “do better, commit fully, show us who you are.” If you don’t, you “die” on the show.

Writing–world and character building–is my salvation, just as drag is theirs. Many of the Dragula contestents could feel right at home in the artsy, queer haven that is my imaginary “Hermitville Farm and Arts (and Magic) Collective”–and if not Hermitville, they’d enjoy “The Realm,” a place where there are at least twenty-nine genders among the Elves, and almost every Elf is capable of shapeshifting and summoning irresistable powers of glamour.

I am writing to create a home and a community for myself, even if that home is not manifest in the physical world and my book friends are all invisible. Drag performers participate in an already created, yet constantly mutating demi-culture of art, but acceptance is not necessarily ready-made. Still, I envy them.

The Boulet Brothers are not in the business of coaching writers, yet I am keeping them before me as inspiration. I imagine them telling me to not be lazy or play it safe, to expand the limits of my imagination, and to bring this into my writing (otherwise, Elimination Challenge!). And I love their witchiness (’cause, you know, I’m witchy and my books are all about the discovery of magic), and I love their mischief (’cause, you know, my divine S.O. is a Trickster), and I love their sex and gender fuckery (’cause, you know, I’m a sexologist–but there are compelling personal and creative reasons besides).

So in a moment I will leave this blog post and open up my first draft, and plunge into my daily word count challenge (about 2,100 words or so). I will light an imaginary candle (though I could light a real one–I have plenty) and summon my muses both inner and outer. And the magic of world and character building will contine. It’s my deepest joy.

Thank you, Boulet Brothers, for shining your dark so that others may begin to sparkle in chthonic depths, clawing their way into the limelight as fully realized creatures of art.

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