Dagulf Loptson’s New Book: Loki Trickster and Transformer

510PMSAfpoL._SX322_BO1,204,203,200_Inspirational, accessible, well-organized, experiential.

Loki: Trickster and Transformer (due for release May 29, 2020) is a must-read introduction to the Norse god, Loki Laufeyjarson, and modern Loki worship. And for anyone already devoted to this complex deity, Dagulf Loptson has created yet another informational and devotional gem. My reviewers copy now has an honored place in my own book collection, along with Loptson’s first, Playing With Fire: An Exploration of Loki Laufeyjarson (Asphodel Press, 2014).

Loki Trickster and Transformer is published by Pagan Portals (an imprint of http://www.johnhuntpublishing.com). This book definitely opens a door and guides the reader through it.

Loptson’s scholarship is respected by such notable writers as Diana Paxson (who writes an endorsement for this book) and Stephan Grundy, Ph.D., author of God in Flames, God in Fetters: Loki’s Roll in the Northern Religions.

I also want to mention that I thoroughly enjoy Loptson’s portrait of Loki on the cover, and the inside illustrations.

Inspirational

As someone who found myself, late in life, suddenly and surprisingly called by Loki (something which I would never have anticipated in a million years!), I appreciate Loptson’s work on many levels. When I read Loptson’s books I immediately feel closer to Loki, my fulltrui (my most trusted one among several deities with whom I work). That’s the experience I had with Playing With Fire, and it’s what I feel reading Trickster and Transformer. (This is not something that happens with most of the books on my shelves!) I can’t promise you’ll have the same experience, but I am willing to bet that you’ll enjoy returning to this book often, as there are many aspects of Loki to ponder, particularly the transformative ones.

But as Loptson writes, “Loki isn’t a god you can really know just by reading his stories or what other people have written about him: he’s a deity that needs to be experienced.” This book can help you move toward direct experience. But more on that in a moment.

Accessible

This book can also help you move toward your own research. The introduction includes a list of Norse lore sources for Loki myths and poems. I also appreciate the inclusion of endnotes, a bibliography, and a list of recommended reading. Readers are not forced to wonder where Loptson found his ideas. Loptson also clearly indicates when he’s expressing his own insights, opinions, and experiences, as opposed to describing a reference to Norse lore.

Well-organized & Experiential

The book progresses logically, which is really rather wonderful seeing as it’s devoted to a being who is supposedly “chaotic.” The first ten chapters each focus on a specific name (heiti) and aspect of Loki, so the reader gains broader understanding with each new chapter. Easier, “user friendly” Loki aspects are presented first. The last couple of chapters are devoted to aspects which are more challenging: Loki as “The Roarer” and “The Vulture’s Road.” I feel this is a measured, thoughtful approach which will serve readers well, especially those who are newcomers to Loki.

Each chapter also contains an activity and a simple ritual. Loptson is a skilled ritualist and this is reflected in the rituals he has created for each aspect of Loki. Elements from previous chapters and rituals are incorporated into subsequent ones. For example, the first chapter includes the consecration of a Loki candle. Several subsequent rituals will include this candle, plus other objects made and consecrated in future chapters.

The final chapter, “Becoming a Lokean,” includes a Loki Dedication Ritual and suggestions for a daily practice and altar implements (mostly the objects and materials created and assembled for the previous rituals).

I’ve worked through other rituals that Loptson has created, both in his previous book and as found on his blog, and I’ve always gotten something valuable from the experiences. I’ve now begun to work through Trickster and Transformer on my second reading, but have to postpone some of this work as I lack necessary materials. If I have any mild criticism to offer at all, it is that I have no idea where to find birch twigs, which are used in Chapter Ten’s Loki Blót (sacrifice) ritual. That tree doesn’t seem to grow around here, so a list of substitute woods would have helped.

A Master List of Materials Used in Trickster and Transformer

Though each chapter contains a list of the necessary materials and tools for each ritual, I suggest that the reader who intends to embark on this ritual series have a “master list” of all necessary items, and assemble all of them at once, in advance of beginning the first ritual. That way you won’t be stopped in your tracks by the lack of birch twigs or a dremel, or any other item. This may mean a trip to craft stores, thrift stores, or online purchases of hard-to-find herbs and incense ingredients, rocks, and beads.

I would make the suggestion that subsequent editions of this book contain such a list at the end, for easy reference, but here’s one now. (I hope the author will forgive my presumption in making such a list and offering it here.)


Candles: A pillar candle that is either orange, red, gold, yellow, black, green, or violet. (The first ritual on p. 12 specifies an orange candle or “a color of your choice.”); a fresh, unlit tealight candle.
Tools: a nail or other sharp tool for inscribing bind runes on candles; matches or a lighter; a lancet for drawing blood [dispose of used lancets safely]; a mortar and pestle for grinding herbs and resins; a jar for ground herbs and resins; a dremel or wood-burning kit for inscribing runes on wood or stone; a fire pit or fireplace; jars and bottles for recels and oils.
Herbs to make “recels” (incense): dandelion, mullein, Dragon’s Blood resin, cinnamon, star anise, clove. [Note: make a goodly amount. The recels are used several times throughout the book.]
[Note: I have been advised that mistletoe is not safe to burn or consume in any manner, though the author has included it in the recels recipe. I make a correction here.]
Herbs to make Loki Oil: jojoba oil [I bet olive oil would be okay too]; powdered dragon’s blood resin or dragon’s blood oil; black pepper essential oil; mullien leaf or flowers; red pepper flakes; sulphur; snake skin sheds (if obtainable).
Charcoal disc for burning the recels. [Note: use the kind found in religious supply stores for burning incense, not “charcoal briquettes” which are highly dangerous for indoor use.]
A fireproof container to hold the charcoal disc and recels as they burn.
Sand or salt to put in the bottom of the fireproof container, under the charcoal disc.
Optional feathers or fan to waft the incense smoke.
A cord or chain.
A piece of wood or metal that can become a pendant worn on the cord or chain.
Clay to make a replica of the Snaptun stone.
Optional small cloth bag.
Optional small stones and natural objects associated with Loki (p. 29) that could go into a bag.
Beads for a prayer bead strand (bead material choices are individual, but Loki stone associations can be found on p. 29).
String for beading.
A mirror (any kind).
Notebook and pen.
A plain wooden bowl, especially one that is plain on the inside bottom. [Note: the bottom will be engraved with a stave, using the dremel or wood-burning tool.]
Offerings: blood or saliva; a cloth heart, sewn by yourself, or a chicken or other animal heart from a butcher; water; other libation.

I want to encourage interested readers to order this book in advance, assemble your ritual materials, and prepare to make Loki’s acquaintance, if you haven’t already. (But can one ever be really prepared for Loki? You’ll find out, won’t you?)

I’m so thankful that Dagulf Loptson has written another valuable guide to Loki and Loki worship. I hope there may be more from this author in the future!

Hail Loki!

 

 

 

 

Day 16: Wild One

Loki is the wild child, the consummate outsider, the charming iconoclast, the “everywhere but belongs nowhere” guy, a shapeshifter, a sky walker (“you can’t catch me!”)… So today’s question seems easy to answer at first: “how do you think this deity represents the values of their pantheon and cultural origins?” Snap! “He opposes them!” And then I pause, “but not entirely.”

Gurgy_2008_LjapunovDiagr1-7-4
Artist to come. Public Domain.

Personal gnosis: I see and feel Loki more as a source of revelations than a figure who represents values or even anti-values. Though he does have a narrative function as the irritant, the villain, the anti-hero, the outcast, and even as a tragic figure–he holds up a mirror to the deities. Just by being who he is and doing what he does, he can throw their hypocrisy and cruelty into stark relief. If they continue to be obtuse, he’s willing to tell them to their faces. As we observe him in action, Loki reveals often ugly truths about the others (and sometimes unpleasant things about himself). He seems to say, “Watch and learn, O Midgard!”

And yet, as a Jotun “giant” adopted into the Æsir as Odin’s blood brother, he also seems to have been complicit, collaborative, and obedient–willing to serve as a functioning member of his new family. The bonds of kinship–including “blood brotherhood”–were very important in the culture of the old lore, but Loki is often troubled by family conflict. Dagulf Loptson says it very well: “when the two sides of your family are battling each other, which side do you align yourself with in order to fulfill your family responsibilities?” (Playing with Fire, p. 14). Loki’s family values are also challenged when his children are deliberately harmed by other members of the Æsir. And no one seems to have offered him weregild, either, as seems to have been the custom for making amends. (Personal gnosis: I feel no amount of that would have made it right for Loki, anyway.)

Another “value” that seems reflected in the old Norse lore, is what Dr. Jackson Crawford calls “hyper-masculinity” in his Lokasenna video. (I do think subtitling this “truth-telling” poem as “Loki’s Locker Talk” is somewhat superficial, however.)

Crawford translates one perjorative as “sissy” and Loki and Odin trade this one back and forth in the poem. Though Odin and Thor have both taken on the clothing and identity of women at times, Loki is the one accused most often of having a versatile gender repertoire, including a more subtle and nuanced masculinity. (Gender-shifting is one reason so many Lokeans are drawn to him, including yours truly.)

Lokasenna also seems to present sexual fidelity of women as an Old Norse value, as Loki exposes love affairs of the goddesses, including their love affairs with him. Therefore, Loki would seem to be subversive of this value, rather than an upholder of it. It’s obvious some of the other gods also subvert this value–via seduction or worse–not just Loki.

There is certainly much more that could be said on this topic of “values,” but I feel constrained today by lack of time. Perhaps I’ll revisit this again when these “30 Days of Devotion” are over.

Loki, darlin’, this one’s goin’ out to you!

 

Hail Loki!

 

 

Day 3 – Loki, The Fractal Face of Change

The question for the third day asks about symbols and icons of Loki. Because I’ve been musing about Loki as a sort of “Lord of Fractal Forces,” whose shapeshifting begins at subatomic levels and probably follows fractal-like patterns in the process, I’m going to answer this question about just a few of his symbols and iconic moments, using a selection of fractal images.

Please see references at bottom of this article.


Hail Loptr!

Fract027
Author: Pakaran. Public Domain.

Hail Flamehair! Loki as a sky-walking god of fire and lightening. [1] [2]


Hail Lóðurr!

Julia_set_(C_=_0.285,_0.01)
Author: Solkoll. Public Domain.

Loki as Lóðurr (or Lóður) grants blood and “good color” to the first humans, Ask and Embla, who start out as trees (18th stanza Völuspá). [3]


 Hail, Father of Monsters!

Fractal_Sentinel_SterlingW3165
Author: Soler97. September 2008. Public Domain.

Loki, as father of Hel, Fenrir, and Jormungandr. [4]


Hail, Mother of Witches!

Avi_Kedmi_10:8:06
Avi Kedmi, Oct. 2008. Public Domain.

Mother of witches (troll women), after eating a burnt woman’s heart, left on a tree, possibly as an offering (see stanza 12, Völuspá hin skamma).


Hail, Mother of Sleipnir!

Fractal Flame, Made with Gimp
Author: Nevit Dilmen. 2000. GNU Free Documentation License.

Loki gives birth to the magic, eight-legged horse, Sleipnir. [see 2 again.]


Hail to the Bound God! (Let’s get you out of there!)

Fractal_tower_Sterling2_1837
Author: Soler97. October 2008. Public Domain.

Loki’s agony: bound with his child’s entrails, unable to escape the venom dripped from a snake. [5]


Hail Vulture’s Path!

Fk-386
Author: Avi Kedmi. October 14, 2006. Public Domain.

Loki as Gammleið, “the vulture’s path” and perhaps a reference to cremation fire. [6]


Hail Worldbreaker!

Burning_Ship_Fractal_Overview
Author: Mikecondron. May 3, 2011. Creative Commons CC0 1.0 Universal Public Domain Dedication.

Loki captains Naglfar, the corpse ship also known as the “Ship of Dead Men’s Nails,” prior to Ragnarok. (See stanza 51, Völuspá.)  [7] [8]


Fractal_fire
Fractal Fire. Author: Stevo-88. May 21, 2007. Public Domain.

The Star Sirius, Lokabrenna (Loki’s Torch)

Sveshnikov Andrei_Young_star_
Young Star. Author: Andrei Sveshnikov. Public Domain.

References

Voluspa.org

[1] Loptson, Dagulf. 2014. Playing with Fire–An Exploration of Loki Laufeyjarson. Asphodel Press. pp. 27-29.

[2] Grundy, Stephan. 2015. God in Flames, God in Fetters. Troth Publications. pp. 35-40.

[3] Loptson, Dagulf. pp. 22-26.

[4] Grundy, Stephan. p. 4.

[5] Loptson, Dagulf. pp. 31-32.

[6] Loptson, Dagulf. pp. 29-31.

[7] Grundy, Stephan. pp. 26-27.

[8] Loptson, Dagulf. pp.182-185.

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Bumps in the LokiFest Road

Update: Lakeport park event cancelled due to prohibitive insurance costs which were added on later, as per city requirements. Online portion still on.


First, an offering…

Hail Flame Hair, Consumer of Modern Desserts!

Grant us your alchemy of dough and desire,

Sprinkle us with blessings even as this donut is adorned

With multi-colored sugary goodness.

Dip us in the sweet heat of the moment,

Allow us to savor life even as you savor this goodie.

Hail Silver Tongue, may this edible monstrosity grace your tastebuds,

May it provide complete satiation for your infinite appetites.

Please accept this crisp and creamy offering as a token of our devotion.

Hail Loki!

Dough-Donut-Lemon-Ginger

Please look favorably on our preparations for LokiFest CA in your honor!

Then the narrative. Frustrations first.

Event insurance and city bureaucracy. The City of Lakeport wants ONE WORD removed from a policy document that runs over 300+ pages for an event lasting less than twelve hours. If the insurance company declines, the event is cancelled. The city won’t approve it. I’ve made the appropriate request for policy revision. Now I guess I wait.

I’m not good at waiting…

Food vendors. I haven’t secured any yet. I keep getting “no.”

Retail vendors. Though I have secured several “yeses,” I don’t have applications or checks yet to let me know they are really committed. Emotionally, I’m chewing my nails as I send out reminder emails.

Sound system and sound person. Still elusive, though I have a lead or two.

Musicans. Still attempting to confirm. They are limited to original or public domain music.

The good news.

The online portion of LokiFest CA. This is a free event which will run for three hours a day, from August 5-9, is shaping up nicely. So far, our presenters include Diana Paxson, Dagulf Loptson, Kyaza, and Silence Maestas. I feel honored to have their participation in this new effort. (And I’ll do something about the results of my spectrosexuality/god spouse survey.) There is space still for a presenter or two!

Local volunteers. They’re starting to emerge from the Lake County community. Thank goodness! My co-producer, Verge Belanger, co-host of Pagan World Views on KPFZ 88.1 FM, and I can’t do this alone! (Catch Verge’s show via live stream on Thursdays from 11 AM – 1 PM.) Verge’s friends and contacts are the people who are volunteering, so that’s amazing and great. Thank you all!

Raffle donations. At least two people from the Lokean community are donating prizes for the gift baskets. All money earned from the raffle will go to the new safe house for transgender youth, run by Larkin Street Youth Services in San Francisco and The Troth Red Hammer Fund.

And so it goes. As crazy as this all feels right now, it’s an honor to be in service to my patron deity in this way. Weird how my heart lifts even as I write these words!

More news soon! Hail Loki!

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Deepening? Another Eight Days of Loki

day1loki
Sand play, based on Day 1: Magic.

Last year felt at times like “a mad scramble for a place in this chamber, in this meagre palace of Midgard” (to quote a certain actor playing a certain god). My personal, professional, familial, financial, and creative foundations were all challenged–and in some cases demolished–and I was frequently in despair. Lonely too. Such suffering! And yet 2018 was also a most fortunate year because I “met” the most compelling and interesting supernatural being I’d ever imagined. Naturally (being a Scorpio), I was quick to oath myself–sort of like having a Vegas wedding with someone I’d only met that weekend–but have absolutely no regrets. I also took on several spiritual challenges to prove my own mettle to myself, including making the Lokabrenna Tiny Temple.

However, I’ve got a stack of books I haven’t yet read completely, most of them accumulated during 2018. At this point, I have to stop reaching for the New Shiny and relax, re-read, and revisit material I already have. It’s time to regroup and to deepen practices I’ve already encountered.

So it makes sense to usher in the new year with another round of Dagulf Loptson’s “Eight Days of Loki” ritual (from this book). However, I wanted to do things just a bit differently this time. I wanted to engage more of my unconscious so I decided to use my sand play toys and sand tray. I grab toys from the shelves and place them very quickly, without too much thought in advance. Creating the tray scenes is a way of manifesting unconscious thoughts, giving them physical form.

Day 1’s theme (above) is “magic” and involves a contemplation of fire. For me, that’s a contemplation of both inner and outer fire. I’ve been practicing a breath meditation technique that’s supposed to generate inner heat, but haven’t gotten too far along with it. My hands, though, have begun to tingle and pulse like crazy in the last few weeks, and to have a sense of pressure, as if I am holding hands with someone who is very warm. So that red jewel in the center of the left hand palm print is significant. I also felt like I was doing a “cave painting” of a handprint by pressing my hand into the sand. It felt like an archaic gesture.

Day 2’s theme is death.

day2loki
Day Two: Death.

Though I didn’t visit a graveyard on Day Two, as suggested, I did pour out an offering of pomegranate juice on the place in my yard where two newborn kittens are buried, poor things. I work with my ancestors on a daily basis, and it’s that sense of being surrounded by them that comes out in the tray, with the skull and skeleton impressions in the sand. The glowing pink/orange skull cup symbolizes Loki’s connection with cremation fire.

Day 3 is today. The theme is wealth, as in wealth of talent and possibilities. The idea is to make something beautiful and worthy that can be offered to Loki but writing is my main form of creative expression these days. For the tray, I chose the jeweled box and the golden egg plus a few “jewels” for the sand. Looking at this now, a few hours later, I see the box as what’s known and in progress and the egg as unknown potential. The red, faceted jewel links Day 1 and Day 2 together. Magic and creative wealth are two aspects of the same thing, perhaps.

day3loki

I’ll post the rest of the days as I go along, perhaps a couple at a time. I’m taking this slowly, taking time to savor.

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Loki’s Holiday — Dec. 13th

0-1Thanks to Dagulf Loptson, we Lokeans have an annual holiday to celebrate! That’s right! You can find the reference on page 220 of Loptson’s excellent book, Playing With Fire–An Exploration of Loki Laufeyjarson. (Buy it for someone you love!)

As for the Loki-inspired gingerbread house, that was the brainstorm of a member of Loki’s Wyrdlings on Facebook. The minute she mentioned this as an idea to cheer up the winter holidays, I knew I had to make one.

So this sugar-encrusted gingerbread temple is today’s offering to my patron deity.

 

And the door reminds me of this Cramp’s cover of Green Door.


 

Update: Just read this great explanation at the Loki Heals blog. Thank you!


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I’ve Eaten My Own Burnt Heart and Given Birth

To witches, no less. (Be not afraid, this is a writer’s metaphor, not “Lokean drama”…)

Oh, are you there? Pardon me while I decompress in public after the wild joy ride of National Novel Writing Month, which was certainly already intense enough. Just try producing a coherant stream of 50,000 words in one month! Those who have done this know what I mean! It can either leave you feeling like an Awesome God or Godette of Literary Potency or like a limp dishrag, or a bit of both.

But then all that Karl Seigfried Lokiphobia controversy gummed up this last week’s literary flow! I chose to engage though, and I’m glad I did! I became enraged! I made new friends! I shared moments of gleeful mirth! (And I have so much more to say on that topic, but later for that!)

First, a musical interlude. Wild One, Iggy Pop, ’cause I am literally dancing with joy and relief. (Did I ever tell you that story about that time I ended up on stage with the guy at San Francisco’s Old Waldorf, wearing a bright magenta space dress and hood and gold snakeskin boots? Or the time I drove a silly girlfriend of my brother’s over to the Miyako Hotel so she could try to sell him some… stuff…that’s now legal in California? Well, another time. Later for that.)

12028868_10207112939609087_3486118964918588213_o
Me back in the day. Punk wearable artist. About the same time as I ended up on stage with Iggy Pop. Photo by Jaen Anderson, published in Slick Magazine.

Oh my dear heavens, I am decompressing sumthin’ awful! But stay with me. This blog actually has a point.

I’ve mentioned before that this book I’m working on, The Witching Work of the Guild of Ornamental Hermits, is the second in a trilogy. The first, The Dire Deeds of the Guild of Ornamental Hermits, is set in the Puna district of Hawai’i Island (south of Hilo). The volcanic goddess, Pele, was very much behind the scenes in the book and in my life. I was living in her country when I started writing the first novel, and was learning to offer the chant Aia la O Pele. I actually pledged to read the entire first draft aloud to her, as an offering. I was on her land so it seemed only fair. And those nineteen months of exile were the loneliest and most depressing of my life. I felt so far from my children and the San Francisco Bay Area, my home. The book provided my most consistent cheer and focus.

Indeed, I was writing from my own burnt heart at that point–newly divorced and lonely as hell, surrounded by a nightly cacophony of coqui frogs chirping incessantly for sex— so what else could I do but birth a sassy community of witches and Elves nestled in an imagined intentional community deep in the Puna jungle? I was creating characters that I wanted to know, and Hermitville, place I wished I could live in. And just as the practice of magic entered the lives of my post-midlife crisis characters, so magic also entered mine.

Even back here in California I continued to read the first draft aloud to Tutu Pele. The book provided closure to the life I lived–as a junior Baba Yaga in my jungle house on stilts, surrounded by coconuts, hibiscus, wild orchids, feral pigs, and unleashed pit bulls. My characters also began to say their good-byes to the home they’d known for so long.

Pele_by_David_Howard_Hitchcock,_c._1929
Pele, by David Howard Hitchcock, c. 1929. Public domain.

Now Pele is known as a sometimes “difficult” goddess, commanding great respect. In fact, seven months after I left Pahoa, the Leilani Estates eruption (May 3, 2018) began to take out acres of land and forest preserves, houses, the Wai’opae tidepools, the Ahalanui warm pond, the Hawaiian language charter school,  roads, and more–creating a massive crisis for the people of  that impoverished area. The massive lava flows continued for months. And yet the people in Puna remained proud of Pele and they rallied around each other with aloha, in a way that (now looking on from a distant shore) I envied.

My return to California shifted my focus from studying Hawaiian culture to continuing my studies of Western magic. I felt a strong call to begin working with my ancestors. And I began to feel my way into the Norse pantheon. I began with Frey, then Freya and Gerda.  Loki was not on my conscious radar then, though looking back I see his influence in my life, going back decades. I wish I’d known then what I “know” now!

10:28 Lokabrenna Dedication
Lokabrenna Tiny Temple altar, on the day I formally dedicated it.

And then, bam. He began tugging at my attention during a bitter crisis. Suddenly Loki and trickster references were everywhere, from pop culture to things I was stumbling across in my reading. Really very present, even in my astrological chart. This was much more up close and personal than even my fleeting “encounters” with Pele, who up to then had provided the most nearly “real” spiritual experiences of my life. (Someday I might write about those too–a story for another time.) As a result, I began serious, daily, devotional practices and reading. I probably was a little too quick to oath myself to Loki, but it seemed right at the time and I have no regrets. I do realize now that it was a bit of a hasty, newbie thing to do.

Given all this–and the fact that I started NaNoWriMo month with two Dagulf Loptson Loki rituals (here and here)–I should not have been surprised when Loki jumped right into the start of my second book, dominating the first few pages and now driving much of the story line. He’s right there, a fictionalized version named Lucky LaFey, along with my characters, the mortal “Hermits” and the Elves of The Realm. They’ve set up a new Hermitville right here in Lake County and have a new supernatural villain to defeat. I’d originally imagined a different plot line with this second book, but what’s happening now fits beautifully. It’s much stronger than my original plot concept.

In fact, last night, I took a deep breath, on the day before the close of NaNoWriMo, and because I was about to write a chapter from Loki’s perspective, in his first-person voice, I asked for some contribution from him, to come through me into the chapter. I wanted to get it right, you see. I felt that this was somewhat edgy–I’ve never taken such a step, so I took care to set time limits and “boundaries,” not knowing what to expect.

What happened was, the chapter flowed. What had been stuck now moved. There was no dramatic channeling or “horsing” or anything of that nature. But I felt close to him and wrote from the inside out with that feeling. He was/is my active muse.

And yes, I read the whole of the first book to him, aloud, and now I’m reading my draft of the second. It’s a satisfying sort of offering to make.

Loki As Muse

“Loki as Muse” doesn’t get nearly as much attention as he should. Someone should create an encyclopedia of this god’s cultural, creative, literary, and musical impact. From the old surviving Norse lore, where Loki drives a lot of the stories, to modern opera, movies, comics, visual art, fiction (including fan), costume design, pop music, and more. An encyclopedia would be a brilliant project, actually!

Since entering “Loki Land” I’ve been so impressed with high quality artwork, crafts, and writing–from blogs to books. And of course I enjoy Marvel Loki, which is a witty twist on the traditional mythology (even if it is fairly distorted).

I find myself less and less aligned with statements that equate Loki with “chaos” (as in the popular sense of meaningless, destructive disarray). I’m not saying he’s never chaotic, negative, or “too much,” but that there also seems to be a bandwidth that I would describe as “catalytic” and transformational instead. It may be that artists and creative souls are more “at home” with Loki, as they may be more used to playing in realms of quick connections, influences, passions, and intellectual and spiritual epiphanies. With Loki, stuff swirls, dances, glances, and recombines.

In other words, along with the other roles that Loki plays in my life (adopted ancestor, teacher, patron deity), Loki-as-muse is positive, challenging, and hella fun. And he gives me courage to write and birth magic from my own burnt heart. Hail Loki!

Finally, here’s my #NaNoWinner2018 certificate, just because I want to boast a little. As you might have guessed, this book will end up as an offering to him, just as the first book will have a dedication to Tutu Pele.

Oh, and that “birthing witches” thing I said? Aside from my twelve fictional, magic-wielding “Hermits,” one of my kids is actually a witch. My other is more of an entheogens fan though. Who knows what he’ll get up to later on?

NaNo-2018-Winner-Certificate

 

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